novels

The first two or three chapters went slowly like most books, somewhat difficult to understand why the Yossarian character was signing documents under other people's names. As the book progressed Joesph Heller becomes, in my mind one of the greatest comic geniuses of all time.

Ever joke in this book is a long-running joke throughout the book. Everything that could go wrong does. The theory of Catch-22 is so realistic it is comical. The entire book shows the horror of war, but creates a laughable atmosphere about it. There are several dark, and even grusome scenes in this book, however Heller seems to take a comical approach to all of them starting jokes about them the next chapter. The jokes in this book never end, each joke is seen again and again, until the very humorous end.

Don't be mistaken, although this book had me rolling on the floor laughing several times, it is also a great historical drama about life during World War 2 and the realism of fighting and Yossarian's fear of death for fighting something he doesn't belive in.

I HIGHLY RECOMMEND this book to all readers, as it is a Classic and is some of hte most enjoyable 400-something pages you'll read, more than likely, several times.

When I was in high school, my English teacher introduced me to the absurdity of war. We were assigned to read "Dulce Et Decorum Est" by the great war poet Wilfred Owen. This poem refuted the "old lie", Dulce et decorum est pro patria mori - How sweet and fitting it is to die for one's country. After reading this poem, I suddenly realized how wasteful and utterly senseless war is, especially for the unfortunate people who must put their life on the line.

One day, I was in a second-hand bookstore, and by chance spotted a copy of "Catch-22." I had no idea what the book was about, but once I started reading, I couldn't stop. This book, like Owen's poem, describes how frightening and pointless war is to the soldier. However, while Owen uses gory details to bring forth his ideas, Heller uses satire.

This book captures the personal fears and opinions of the troubled bombadier, Yossarian. He does not know why he has to be there, and he certainly does not want to die.

Yossarian stated that he didn't care if this opinion made the enemy happy. He said that the enemy is anybody who wants to kill you, and it was his superior who kept sending him out to get killed...This makes me wonder about the millions of soldiers throughout time, for this thought must have passed through some of their minds at some desperate point. The old men who instigate and plan wars are not the ones who will die. Rather, they send people out to die for *their* cause.

As you can see, this book really made me think. Yes, I thought, I laughed till I cried, then I cried for the senselessness of it all. Heller is a genius!

On all fronts, the main character, Yossarian, is assailed by the dehumanized absurdities of mondern life, manifested most concretely in that perfected science of death, modern warfare. Yossarian, like all of us, is chained by rationality that has been stripped of reason, engineered thus for the purpose of control. That is the essence of Catch 22.

The character of Milo Minderbinder represents the cold, opportunistic thinking of the corporate world, dead as it is to humanistic concerns in its tireless pursuit of profit and power. Chaplain Tappman embodies the impotence and self-doubt common to many people of faith who feel adrift in a culture of materialisticly driven insanity. But it is Yossarian's wanderings through Rome, the Eternal City, and as such, the representation of modern "civilized" society, that is the coup de grace. It is a moonlit, poetic scene lamenting the spiritual and humanistic decay and ultimate bankruptcy of modern Western society. Simply powerful stuff.

Properly speaking, Catch 22 is more a series of vignettes or short stories rather than a novel. But it is told with a humor that bristles with moral outrage. While not perfect, it is an excellent read, and definitely recommened.